This mixer is compact and convenient to use, but won't compromise your signal in any way. With an optional adaptor the MG10/2 can even be mounted on a microphone stand for totally flexible positioning and easy access.
8 or 10 Input Channels:The MG10/2 features a total of 10 input channels:
two mono microphone/line inputs and four stereo line inputs, two of which offer mono microphone input capability. The MG8/2FX has two mono microphone/line inputs and three stereo line inputs, two with mono microphone input capability. Gain trim covers a wide -60dB -16dB range for microphone input, and -34dB +10dB for line input.
A Variety of Input Connectors:Balanced XLR connectors are provided on both mono inputs and two of the stereo inputs (a total of four XLR connectors), in addition to phone jack connectors. Two of the stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo input on the MG8/2FX, and the remaining two stereo inputs on the MG10/2, feature both phone jack and pin jack inputs for broad connectivity. A separate stereo 2TR input with pin-jack connectors is provided for independent input of signals from CD players or similar sources.
Four Low-noise, High-precision Mic Preamps:The microphone preamps provided on the two mono channels and two of the four stereo channels would be worth the price of the entire mixer if packaged separately. These are highperformance head amplifiers that will bring out the best in any dynamic or condenser microphone.
Phantom Power:So you can take advantage of the superior sonic quality of professional-class studio condenser microphones, all four high-performance mic preamps feature switchable phantom power. A single switch turns phantom power on or off for all four channels.
Insert I/O:Mono input channels feature insert I/O patch points so you can add compressors or EQ for vocals, a noise gate on a guitar channel, or other extra signal processing to individual channels as required.
3-band Channel EQ & HPF:Designed for smooth, "musical" response, the 3-band equalizers provided on all input channels are one more sonic tool you can use to create clean, professional mixes. All mono microphone input channels also feature a switchable high-pass filter that can be used to cut out unwanted low-frequency noise.
TECHNICAL SPECIFICATIONS:• Total Harmonic Distortion Less than 0.1 % (THD+N)
20 Hz - 20 kHz @ +14 dBu (ST OUT) *3
• Frequency Response -3, 0, +1 dB
20 Hz - 20 kHz @ +4 dBu (ST OUT)
• Input Hum & Noise *1 -128 dBu
• Equivalent Input Noise/-100 dBu Residual • Output Noise, 20 Hz ? 20 kHz, Rs=150 , • Input Gain=Maximum, Input sensitivity=-60 dB *3
• Crosstalk -70 dB @ 1 kHz
• CH Input Mic 4 (Ch 1 - 2, 3/4, 5/6: XLR)
• Line 2 (Ch 1 - 2: TRS:Phone)
• Stereo 2 (Ch 3 - 4, 5 - 6: TRS:Phone) * Ch3, 5: L (MONO)
2 (Ch 7 - 8, 9 - 10: TRS:Phone/RCA:Pin) 2 (Ch 3 - 4, 5 - 6: TRS:Phone) * Ch3, 5: L (MONO)
1 (Ch 7 - 8: TRS:Phone/RCA:Pin)
• Insert I/O 2 (Ch 1 . 2: TRS:Phone = T: Out, R: In, S: Gnd)
• AUX Send 2 (1/Pre, 2/Post: TRS:Phone) 1 (Effect / AUX)
• Return 1 Stereo (L/MONO, R: TRS:Phone)
EFFECT Send (Same as AUX Send)
• 2TR In 1 Stereo (L, R: RCA:Pin)
• REC Out 1 Stereo (L, R: RCA:Pin)
• ST Out 1 Stereo (L, R: TRS:Phone)
• C/R Out 1 Stereo (L, R: TRS:Phone)
• GROUP Out
• Phones 1 (TRS:Phone Stereo)
• Phantom Power + 48 V
• CH & ST Ch Input Gain Control 44 dB valiable
• CH & ST High Pass Filter 80 Hz 12 dB/Octave
• CH EQ (MONO) *2
15 dB (Max.) High 10 kHz (Shelving)
Mid 2.5 kHz (Peaking)
Low 100 Hz (Shelving)
• CH EQ (STEREO) *2
15 dB (Max.) High 10 kHz (Shelving)
Hi-Mid
Mid 2.5 kHz (Peaking)
Low-Mid
Low 100 Hz (Shelving)
Graphic Equalizer
Internal Digital Effect 16 Programs: Parameter Control
• Dimensions:
Width 251 mm
Depth 290.5 mm
Height 65 mm
• Weight 1.8 kg
• Power Requirements: 19 W 120 V/60 Hz
19 W 220 V/50, 60 Hz
19 W 230 V/50 Hz
19 W 240 V/50Hz 20 W 120 V/60 Hz
20 W 220 V/50, 60 Hz
20 W 230 V/50 Hz
20 W 240 V/50 Hz
California Prop 65 -
WARNING: Cancer and Reproductive Harm -
www.P65Warnings.ca.gov